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Similar to NFT music, for film creatives, crypto represents a terrific vehicle for crowdfunding projects, managing royalties, and rewarding fans. By raising money through a token, the Retrogression model further eliminates middlemen participants who stand between creator and audience. In a nutshell, these movies corporations are set up to lose money, because that means the studios make money. So, in the beginning it’s just this huge chicken or egg problem. And if they couldn’t do it, they would potentially know someone else who could. If the creator economy is to thrive, the creators must thrive first. Patrons must come from unexpected places and the bottom up. I like to imagine how things might be 20 or 30 years from now, collect ideas on human experiences and engage in dialogues on what could be, as oppose to what’s expected. I am someone who believes that my capital “w” Work, cannot be separated from theories of social change. CEO and Co-founder of the fastest growing website in
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